Recipient of the 2017 Pulitzer Prize for Criticism, Hilton Als became a staff writer at The New Yorker in October 1994, and a theatre critic in 2002. He began contributing to the magazine in 1989, writing pieces for “The Talk of the Town.” Before coming to The New Yorker, Als was a staff writer for the Village Voice and an editor-at-large at Vibe. He has also written articles for The Nation and collaborated on film scripts for Swoon and Looking for Langston. Als edited the catalogue for the Whitney Museum of American Art exhibition entitled Black Male: Representations of Masculinity in Contemporary American Art, which ran from November 1994 to March 1995. His first book, The Women, a meditation on gender, race, and personal identity, was published in 1996. His most recent book, White Girls, discusses various narratives around race and gender. In 1997, the New York Association of Black Journalists awarded Als first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for Creative Writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. In 2009, Als worked with the performer Justin Bond on Cold Water, an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery. In 2010, he co-curated Self-Consciousness at the Veneklasen Werner Gallery in Berlin, and published Justin Bond/Jackie Curtis, his second book. Als has taught at Yale University, Wesleyan, and Smith College.